The '60s came back in full-force at the Chanel's pre-fall 2016 show yesterday in Italy, where the models walked the runway with a decidedly Brigitte Bardot vibe for a collection dubbed "A French Girl in Rome." Reimagining the teased-at-the-crown hairstyle of the decade with bedhead-y texture and the occasional oversize bow tucked into the side, backstage beauty star Sam McKnight set the tone for a modern take on the era while makeup artist Tom Pecheux brought it home with the most alluri

The '60s came back in full-force at the Chanel's pre-fall 2016 show yesterday in Italy, where the models walked the runway with a decidedly Brigitte Bardot vibe for a collection dubbed "A French Girl in Rome." Reimagining the teased-at-the-crown hairstyle of the decade with bedhead-y texture and the occasional oversize bow tucked into the side, backstage beauty star Sam McKnight set the tone for a modern take on the era while makeup artist Tom Pecheux brought it home with the most alluring touch: A smudgy morning-after smoky eye. It's one we wouldn't mind dealing with kohl-smeared sheets for. That's what stain remover is for, right? With a runway dressed to look like a Paris street, it all fell into designer Karl Lagerfeld's French-kissed vision. His inspiration? A romanticized version of the City of Light. And what qualifies for the adjective if not the suggestion of a woman coming home after a love affair? The look was overtly sexy and somehow quietly coquettish at the same time. A dramatic look for everyday, perhaps, but in real life this would simply translate to a smudged-out makeup look that hints at the morning-after rather than screams "out-all-night." Rubbing a cotton swab over

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